|carlos suárez de jesus|
carlos suarez de jesus writes an article for the miami new times entitled PAMM goes local. the title's second clause reads: with a new exhibit the bayfront museum silences its critics.
not to waste any time to present the exhibit as a referendum on PAMM's curatorial inclusiveness, de jesus opens with this bombast:
Haitian-American artist Edouard Duval-Carrié has a message for Maximo Caminero, the local painter who deliberately shattered a million-dollar Chinese vase last month to protest the new Pérez Art Museum Miami's "lack of support for South Florida talent."but the matter is that carlos' assertion is simply false.
de jesus failed to update his information with an article from the ny times published on february 18! (by nick madigan):
carlos, i don't mind you're a fan of abuelo añejo, but what parallel universe do you inhabit?News reports here (Miami) said the vase was worth $1 million, a figure the museum said was provided by the police as an estimate based on previous appraisals of similar works by Mr. Ai. An official appraisal of the vase’s value is underway, said Alina Sumajin, a spokeswoman for the museum. A similar work, called a Group of 9 Coloured Vases, consisting of Neolithic vases painted by Mr. Ai in 2007, sold at Sotheby’s in London in 2012 for $156,325, a price that included buyer’s premium.
this kind of writing makes you look like a mouthpiece & the miami new times (presumably an alternative publication) a sort of cheap corporate underwriter.
of course, i won't go into duval-carrié's declarations against caminero, a fellow artist, but here is a point duval-carrié seems to overlook: does he really expect a neutral observer --of average wit-- to take him seriously when imagined landscapes opens @ PAMM this thursday?